Hey out there! This is a followup to my unboxing/ road test with the new Fujifilm SQ10 Square Instax camera. I took it to LA to shoot with 7 models and address a few of your questions from the previous video. Also, we see a side-by-side comparison of an image shot with the Fuji Neo Classic 90 and the SQ10. More practice, more experience, more love for this camera despite its many quirks.
Fuji’s latest instant film camera, the Square SQ10, gets unboxed and road tested in a shoot with model Alina Lee aka Thumbelina in a pool and a jail. We show how the hybrid digital/ analogue camera works, see sample images, showcase the unique features of the camera, go over the pros and cons of the camera, and do our best to answer all your burning questions about the Fujifilm SQ10!
Corie Shannon is a model who I ended up working with based on a fun, talkative video posted on YouTube where she outlined some of her core beliefs. We had the opportunity to shoot around Phoenix a bit and I finally got to use my Blackmagic Micro Cinema Camera, though it was on a completely unfamiliar steadicam so my work was less than steady. The title of this, “Radical Feelism,” is based on a tattoo you can barely make out on the inside of Corie’s arm, and she goes into much greater detail in the actual video.
One of my favorite ways to get the kind of surreal pop I love in my photography is to use the simple combination of colored gels and LED lights. Here we look at a few ways to use gels and why they are a valuable addition to any art and portrait photographer’s toolkit.
All images in this video shot with the Fuji X-T2 and the Fuji Neo Classic Instax Mini 90, models include Shasta Wonder, Kaila Stone, Mckenzie Eckels, and L. Shima.
I was in LA earlier this month and had the opportunity to shoot with a model long on my wishlist, Mckenzie Eckels. One of my gimmicks during this trip was a diffusion filter roll bought 2 years ago but never used; I was inspired to chop holes in it by 1950s Vogue photographer Erwin Blumenfeld, and we took advantage of messing up Mckenie’s makeup towards the end on the diffusion.
Some video pieces grow out of a plan, and others form organically; “Bernardo” is definitely one of the latter. I had shot with artist Meredith Adelaide, and it went so well we scheduled another day the following week. I had used up my more fully fleshed out concepts on our first day, so we ended up visiting the Phoenix Art Museum and shooting around the Salt River based on 2 ultra-basic FX ideas I had written in my notes (“light painting in firefly room” and “hovering with trampoline”). There was a random encounter with a frog at the Salt River that seemed to shape the experience- Meredith randomly dubbed him “Bernardo”, and somehow he ended up being the focus of this particular video art piece. A random encounter between a woman and a frog leads to a cosmic experience for both. Filmed on the Fujifilm X-T2 Mirrorless Digital Camera> and effects in Adobe After Effects.
One of the best benefits of photography is that multiple iterations of an image are possible, and all are equally valid. I shot and processed this image in June and still don’t know which is the “preferred” image.
My usual advice to students is, if a image has no prominently featured color scheme, there’s no reason for it to be in color, and it’d be more effective as a black and white. A strong case could be made for either approach here.