Finding Your Photographic Vision – A Skillshare Class

Hey out there!  Summer’s winding down, my kids are back in school, and Skillshare classes can once again start flowing.  This one is about a topic near and dear to my heart – Finding Your Photographic Vision.  It’s a class not about the technical side of photography but about the steps anyone can take to become more unique and expressive in their photographic art.

Click here to enroll right away and start learning –>Finding Your Photographic Vision!

I also wanted to mention that San Diego Comic Con just wrapped up, and Adobe sponsored me to give a panel on their motion capture animation software Character Animator.  It was a hoot to be onstage at the largest comics convention anywhere, and it’s all down to a film I made called The Innocence of Seduction and the corresponding classes I created on Skillshare.  On my channel there are lessons about Motion Comics in Photoshop, Character Animator, After Effects, and other Character Animator tutorials here and here!

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Finding Your Photographic Vision #1: Heroes

In light of the massive number of gear reviews and how-tos on YouTube, I felt like making a short vlog focusing on developing a personal vision.  In Part 1, I tell you about some of my own photographic heroes – Sebastio Salgado and Ralph Eugene Meatyard- and how they influenced some of my own work.

Minimal Monochrome Model Instax

I’ve come to the conclusion that instant film is the ideal format for my photography – minimalist, strange, shot with “what you see is what you get” style lighting.  These were shot with Fujifilm Instax Mini Monochrome Film – 10 Exposures on my Fujifilm Instax Mini 90 Neo Classic Instant Film Camera, and here’s a little tutorial from my YouTube on how to get the double exposure effect you see in Shasta’s image!

Instant Film, Creative Damage

Welcome to another of my video series featuring creative things you can do with instant film! In this video I show you a technique for mark making on both Fuji Instax Mini and Impossible Project film alongside a few examples I shot with models Mckenzie Eckels and Kaila Stone.

If you enjoy this instant film video I encourage you to check out the other ones on my channel!

I have a full class on instant film techniques over on my Skillshare channel.

Film used in this video is Impossible Project Polaroid 600 and the Fujifilm Instax Mini!

Working With Titles + Credits In Adobe Premiere Pro – A Skillshare Class

New year, new Skillshare classes up!  “Working With Titles + Credits In Adobe Premiere Pro” is my second new class this year, one of several Adobe Premiere courses I have in the pipeline.

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Adobe Premiere Pro is a powerful video editing tool which also allows you the ability to design titles and credit sequences.  This class is meant for the beginning video editor or filmmaker who wants to create title/ credit sequences and templates.  We’ll also cover some of the design elements that go into an effective placement of text in our videos.

Sign up here!

Double Exposure Instant Film W/ The Fuji Neo Classic

Since my studio opened last month I’ve been able to film more tutorial and gear reviews – I especially enjoy harping on the beloved Fuji Instax Mini film and cameras.  Here’s two recent videos covering different aspects of the analogue style!

Art, Advice + Setting

Earlier this year I saw Cheech Marin talking about his painting collection, how art experts were always saying “painting is a dead art” and he said he would go into museums and galleries and see endless paintings.
 
This was a bit after Photolucida where one taste-making reviewer told me “museums and galleries don’t currently care about images with models or any kind of planned setup in them, they only want real life” and that anyone can shoot fashion without knowing anything about it- then a very established top-tier “planned portrait” photographer told me the exact opposite.
 
Then there are the endless calls to “brand” your work, be an expert at one thing and work that thing into the ground so you’re the “go-to guy” even though it’s likely there are many “go-to guys” and that singular style will get real stale real quick.
 
I think if you’re a creative person any advice to be given or received is very lifestyle-specific to the point that it’s barely worth seeking out. I know a lot of what I make is stuff that can be organized around my kids’ school schedule, and a lot of my ideas come from the things they are interested in that align with what I liked at their age. The idea of spending months away from home working on a film set or shooting nightlife or making a truly violent horror film or documentary on junkies is absurd to my lifestyle, and even if I tried it would be half hearted, but other people can make it work with ease.
 
David Byrne talks about how music is setting-specific in his book Music, like punk rock in a small club vs choral music in a cathedral, booty bass in a jacked out car, etc. and I’m starting all art is setting specific as well, not just the final destination like a gallery or vimeo, but the setting your life is in.