Patreon! Tumblr! Where can or should an artist who photographs nudes share their work? Is censored images on instagram or Facebook good enough? How does one honor the actual work? I do what I can to address the considerations of the art nude/ fashion nude photographer in these 5 brief minutes!
Help support the creative work of our studio at http://www.patreon.com/davidmiller and check out our photography tutorials at http//www.skillshare.com/r/davidmiller
The last 2 months I’ve been doing a lot of my posting on Patreon. For those unfamiliar, Patreon is where fans of creators subscribe at various reward tiers for exclusive content. I have found it’s a good compromise for my 18+ work since Tumblr has essentially ceased functioning as an arts site and Facebook/ Instagram only allows censored material.
To give you an idea of what is actually over there, in the past month I’ve released photo sets with Cacia Zoo, Alina Lee/ Thumbelina, and a bunch of people from my previous LA trips.
Currently I’m doing 2 PG sets and 2 18+ sets a month, and any previous 18+ videos shot with models are only available through Patreon. My tutorials on Skillshare and Udemy will also be available for subscribers.
Though Primordial Creative works in a variety of genres, I’ve built this Patreon around the photos and videos I’ve done with some of the best models around for the last 7 years including brand new work. The reward tiers include:
-photosets and video art pieces, PG + uncensored, with accompanying explainer videos where I tell you how it was all made
-my tutorials that I create for teaching pay sites Skillshare and Udemy, covering the Adobe Creative Suite, video editing, animation, sound design and more.
-mailed one-of-a-kind instax and limited edition printed zines
-name in the credits of video art pieces
-PDF copies of my e-books “Capturing The Face” and “Secretly”
There’s a lot of exclusive stuff there so anyone interested in helping support the Primordial Creative cause I highly encourage you to check you my Patreon page!
Over the years my photography has gotten more and more focused around a plan – booking studio time, working with booked models or paying clients, even basing my own family photography around trips to exotic locations in the Southwest or Alaska or Hawaii or Mexico. It has been a long time where I just went out with the camera and shot stuff without a plan.
Tonight, on a routine trip to McDonald's with the kids, the sun hit just right and my daughter Maggie's hair was just the right combination of wild and fashionable.
I feel like to get good at a creative medium, or keep up one's chops, it's important to work at it during "off" time- like an illustrator who sketches while watching tv. Shot with the Fuji X-T2 and 35mm 1.4 lens.
One of my favorite ways to get the kind of surreal pop I love in my photography is to use the simple combination of colored gels and LED lights. Here we look at a few ways to use gels and why they are a valuable addition to any art and portrait photographer’s toolkit.
All images in this video shot with the Fuji X-T2 and the Fuji Neo Classic Instax Mini 90, models include Shasta Wonder, Kaila Stone, Mckenzie Eckels, and L. Shima.
Some video pieces grow out of a plan, and others form organically; “Bernardo” is definitely one of the latter. I had shot with artist Meredith Adelaide, and it went so well we scheduled another day the following week. I had used up my more fully fleshed out concepts on our first day, so we ended up visiting the Phoenix Art Museum and shooting around the Salt River based on 2 ultra-basic FX ideas I had written in my notes (“light painting in firefly room” and “hovering with trampoline”). There was a random encounter with a frog at the Salt River that seemed to shape the experience- Meredith randomly dubbed him “Bernardo”, and somehow he ended up being the focus of this particular video art piece. A random encounter between a woman and a frog leads to a cosmic experience for both. Filmed on the Fujifilm X-T2 Mirrorless Digital Camera> and effects in Adobe After Effects.
The Surrealists of the early 20th Century have always been huge influences on my work- I think when I first learned about Man Ray in my photography class, I thought “…friend!” in that pseudo-horror movie way. As I graduated into making video work I wanted to express myself in a similar way as my photography, and learned a handful of techniques that are not too dissimilar from what those Surrealist innovators were doing when they dipped their hands on filmmaking.
“Get Surreal In Adobe Premiere” is a Skillshare class I created that shows how to emulate the Surrealists using Premiere’s tools. The trailer is above, and the full class is over here! I’m proud to be part of Skillshare’s phalanx of amazing teachers creating small, project-oriented online classes.
These xerox transfers were created with one of my favorite models in Portland. I had been using acetone for my transfers but since I’ve been teaching the workshops at a local art store, it’s worked out to use the Chartpak blending markers instead of acetone- safer and you can get these sketchy “charcoal”-like results.
Originally shot with my Fujifilm X-E1 and a single umbrella flash. For more photoworks goodness peruse my Etsy shop, follow on tumblr and twitter and instagram, and rummage around on my full site.