Fuji’s latest instant film camera, the Square SQ10, gets unboxed and road tested in a shoot with model Alina Lee aka Thumbelina in a pool and a jail. We show how the hybrid digital/ analogue camera works, see sample images, showcase the unique features of the camera, go over the pros and cons of the camera, and do our best to answer all your burning questions about the Fujifilm SQ10!
It’s been a few months, but with the summer heat sweeping into Arizona I’m back in the lab cranking out tutorials – the first of which is Animating Walk Cycles in Adobe Character Animator!
The walk cycle is one of the foundation principles of animation, and Adobe has recently added it to the arsenal of motion capture animation features of its Character Animator program. We’ll cover how to build our puppet in Photoshop, add walk behaviors, rig our puppet in Character Animator and create multiple kinds of motion.
Adobe Character Animator is a subprogram of After Effects, and it uses Adobe Photoshop to organize the file layers, so you’ll need those programs to get the full benefit of the class.
In light of the massive number of gear reviews and how-tos on YouTube, I felt like making a short vlog focusing on developing a personal vision. In Part 1, I tell you about some of my own photographic heroes – Sebastio Salgado and Ralph Eugene Meatyard- and how they influenced some of my own work.
I’ve always had a problem: I live in the Southwest- surrounded by exotic, beautiful environments like the Painted Desert- but it’s just far enough away that it’s not feasible to take a pro stylized model with me to shoot out there. Enter my daughter Maggie, who at age 8 has been in enough of Daddy’s shoots in her lifetime to finally get styled and shot way out amongst the petrified wood. Hair and makeup done by her mom/ my wife Vesna Miller. We’re going to make this a routine thing- once a month- with the goal of building up a youngster to be an ultra stylized look.
All images done with Fuji X-T2 and either the 35mm 1.4 lens or 23mm 2.0 lens.
One of my favorite ways to get the kind of surreal pop I love in my photography is to use the simple combination of colored gels and LED lights. Here we look at a few ways to use gels and why they are a valuable addition to any art and portrait photographer’s toolkit.
All images in this video shot with the Fuji X-T2 and the Fuji Neo Classic Instax Mini 90, models include Shasta Wonder, Kaila Stone, Mckenzie Eckels, and L. Shima.
It’s been a week since one of my favorite photographers, Ren Hang, apparently took his own life at the age of 29. Ren made very stark, minimal, ring-lit images of people in piles, nude, doing strange things with animals or genitals, but all very unsexy. It felt to me like a statement on the weirdness of just being a walking organic mess.
I’ve been showing Ren’s work to everyone I work with for the last year or so- a Pinterest board full of loose, random, colorful, “unposed” poses- and to some extent I’ve gotten some successful images, but nothing like the kick in the balls that Ren made with every image. He left behind such a mountain of images, each one a masterpiece.
Rest in peace, Ren!
I’ve come to the conclusion that instant film is the ideal format for my photography – minimalist, strange, shot with “what you see is what you get” style lighting. These were shot with Fujifilm Instax Mini Monochrome Film – 10 Exposures on my Fujifilm Instax Mini 90 Neo Classic Instant Film Camera, and here’s a little tutorial from my YouTube on how to get the double exposure effect you see in Shasta’s image!