Over the years my photography has gotten more and more focused around a plan – booking studio time, working with booked models or paying clients, even basing my own family photography around trips to exotic locations in the Southwest or Alaska or Hawaii or Mexico. It has been a long time where I just went out with the camera and shot stuff without a plan.
Tonight, on a routine trip to McDonald's with the kids, the sun hit just right and my daughter Maggie's hair was just the right combination of wild and fashionable.
I feel like to get good at a creative medium, or keep up one's chops, it's important to work at it during "off" time- like an illustrator who sketches while watching tv. Shot with the Fuji X-T2 and 35mm 1.4 lens.
Hey out there! Summer’s winding down, my kids are back in school, and Skillshare classes can once again start flowing. This one is about a topic near and dear to my heart – Finding Your Photographic Vision. It’s a class not about the technical side of photography but about the steps anyone can take to become more unique and expressive in their photographic art.
Click here to enroll right away and start learning –>Finding Your Photographic Vision!
I also wanted to mention that San Diego Comic Con just wrapped up, and Adobe sponsored me to give a panel on their motion capture animation software Character Animator. It was a hoot to be onstage at the largest comics convention anywhere, and it’s all down to a film I made called The Innocence of Seduction and the corresponding classes I created on Skillshare. On my channel there are lessons about Motion Comics in Photoshop, Character Animator, After Effects, and other Character Animator tutorials here and here!
In light of the massive number of gear reviews and how-tos on YouTube, I felt like making a short vlog focusing on developing a personal vision. In Part 1, I tell you about some of my own photographic heroes – Sebastio Salgado and Ralph Eugene Meatyard- and how they influenced some of my own work.
I’ve always had a problem: I live in the Southwest- surrounded by exotic, beautiful environments like the Painted Desert- but it’s just far enough away that it’s not feasible to take a pro stylized model with me to shoot out there. Enter my daughter Maggie, who at age 8 has been in enough of Daddy’s shoots in her lifetime to finally get styled and shot way out amongst the petrified wood. Hair and makeup done by her mom/ my wife Vesna Miller. We’re going to make this a routine thing- once a month- with the goal of building up a youngster to be an ultra stylized look.
All images done with Fuji X-T2 and either the 35mm 1.4 lens or 23mm 2.0 lens.
One of the imaging techniques I’ve used for my surreal portraits is scenography- shoving people on a scanner and taking advantage of the unique depth of field properties, as well as having the subject shift around while the scanner bed is in transit. Scanners are wonderful for high definition imaging and getting the weird, artsy look so many photo artists strive for.
We have been having a pretty dramatic winter around Phoenix, meaning it’s a bit more grey and rainy than usual; the day after a storm you are guaranteed the sun will punch through and give you some amazing shots if you’re in the right place at the right time. I went hiking with my family around 3 pm by the Peralta trail on the east side of the Superstition Mountains, and my daughter Maggie decided to get “experimental” with some of her posing. All images shot on the Fuji X-T2, lenses were the 35mm 1.4 and 18-55mm 2.8-4.
This week’s addition to my Skillshare tutorial channel is Retouching Portraits in Photoshop and Lightroom. It’s easily the most requested topic I get for the classes I teach in person.
In any portrait photography, it’s a give that there will be some facial retouching to make your subjects look their best. This Skillshare course cover the basics of both Adobe Photoshop and Lightroom for retouching skin, enhancing eyes, color correction and more!
Click here for the full class!