Fuji’s latest instant film camera, the Square SQ10, gets unboxed and road tested in a shoot with model Alina Lee aka Thumbelina in a pool and a jail. We show how the hybrid digital/ analogue camera works, see sample images, showcase the unique features of the camera, go over the pros and cons of the camera, and do our best to answer all your burning questions about the Fujifilm SQ10!
It’s been a few months, but with the summer heat sweeping into Arizona I’m back in the lab cranking out tutorials – the first of which is Animating Walk Cycles in Adobe Character Animator!
The walk cycle is one of the foundation principles of animation, and Adobe has recently added it to the arsenal of motion capture animation features of its Character Animator program. We’ll cover how to build our puppet in Photoshop, add walk behaviors, rig our puppet in Character Animator and create multiple kinds of motion.
Adobe Character Animator is a subprogram of After Effects, and it uses Adobe Photoshop to organize the file layers, so you’ll need those programs to get the full benefit of the class.
One of my favorite ways to get the kind of surreal pop I love in my photography is to use the simple combination of colored gels and LED lights. Here we look at a few ways to use gels and why they are a valuable addition to any art and portrait photographer’s toolkit.
All images in this video shot with the Fuji X-T2 and the Fuji Neo Classic Instax Mini 90, models include Shasta Wonder, Kaila Stone, Mckenzie Eckels, and L. Shima.
I’ve come to the conclusion that instant film is the ideal format for my photography – minimalist, strange, shot with “what you see is what you get” style lighting. These were shot with Fujifilm Instax Mini Monochrome Film – 10 Exposures on my Fujifilm Instax Mini 90 Neo Classic Instant Film Camera, and here’s a little tutorial from my YouTube on how to get the double exposure effect you see in Shasta’s image!
I’m proud to announce my first Udemy course – Making Motion Comics: Animating Illustrations in Adobe Photoshop and After Effects! This is a specialized form of animation using portions of original artwork to animate a story rather than individual drawings for each frame or cgi characters. By animating in this style, we are able to keep the aesthetic of individually drawn panels with complicated foregrounds and backgrounds; we are able to make our comics into films.
I used this technique in my short film, Innocence of Seduction. It allowed me to utilize hundreds of drawings from public domain comics into my own animation:
Hello out there! I wanted to share my newest animated short film “Innocence of Seduction” – collaged from utilizing hundreds of public domain comics and radio shows from the 1940s-60s. It absolutely was a labor of love and meant as a tribute to all the creators of such fun and imaginative sci-fi/ horror/ romantic/ western content of that era.
Assembled/ animated by David Miller/ Primordial Creative Studios 2016
One of the imaging techniques I’ve used for my surreal portraits is scenography- shoving people on a scanner and taking advantage of the unique depth of field properties, as well as having the subject shift around while the scanner bed is in transit. Scanners are wonderful for high definition imaging and getting the weird, artsy look so many photo artists strive for.