October 16 sees the release of my first Kindle e-book, “Capturing The Face – A Guide To Creative Portrait Photography”, via Amazon. It’s structured around the 10 components that I believe are key to making artistic images of people:
Image capturing method
Formal visual art considerations
The X factor
These elements are all vital pieces to making something magical and I’ve found each worthy of deep exploration in Capturing the Face. I know what it’s like to do a shoot and end up with one or more of these elements overlooked, and as years have gone on, I’ve learned how to make sure each one is addressed so I get personally satisfying results. In the coming weeks I’ll put up some snippets of these chapters. Capturing the Face: A Guide To Creative Photographic Portraiture is 44 pages, $2.99, and available for pre-order right now.
“Lady of the Lake” is video art created with model/ actress Glass Olive, who also displays some amazing singing ability as the sole sound of this piece. It was filmed in 2 halves, in Brooklyn in May of 2015 (with the aid of ace hairstylist Andy Tseng) and in July 2015 at the Great Salt Lake, a combination of Fuji X-T1 footage and GoPro Hero Black 4.
I’m thrilled to announce the release of my first e-book, “Capturing The Face – A Guide To Creative Portrait Photography”, October 16 via Amazon.
It’s 44 pages, $2.99, and available for pre-order right now. Capturing The Face breaks down all the moving parts of a shoot- not just finding models, not just about “how to” or buying gear- it discusses the philosophy of how we can be expressive in mood, styling, lighting, concept, location, formal art elements, and more. My photography was inspired by the greats of creative portraiture like Sebastio Salgado and Ralph Eugene Meatyard, and I do whatever I can to pass on the thrill of creating with willing subjects to others.
One of the mistakes we made in Mexico City was renting a car and driving in what is routinely described as a city with the worst traffic/ most incomprehensible layout of streets/ no parking available at all. When we went to Xochimilco, we decided to walk all around after 3 hours of terror in the car. That led us to Parroquia San Bernardino de Siena, a mission-style church built from 1535-1580 on the grounds of a Pre-Hispanic temple.
I snuck around the rooms which were pretty sparsely furnished, but it ended up giving me some of my favorite photography of the trip. I like that they keep the human element without having humans in them, or rather, representations of humans in the form of portraits, statues of a creepy Jesus, and foosball tables.
If you enjoy any of this work I encourage you to like it and share it! For more photoworks goodness peruse my Etsy shop, follow on tumblr and twitter and instagram, and rummage around on my full site.
Lots of clowns around Mexico City. Some are small children with no parents in sight begging for money. This guy picked me out of a crowd and posed as I was the only person in a crowd of probably a thousand+ with a camera. Asked if I spoke spanish, joked around and called me Leonardo DiCaprio and my wife got called Monica Lewinsky.
The location, Bosque de Chapultepec, is a massive area full of museums and family fun- the equivalent of Central Park in New York or Golden Gate Park in San Francisco. It’s definitely a great place for anyone with an itch for street photography.
I got a Wacom tablet in August after reading a book by animator Bill Plympton, who is known for his wonderful sketchy hand drawn animations. “Slippery Slope” is the result of my first gestures in the direction of hand drawn animation, even though it was with a tablet, it’s a lot truer to my actual drawing than the animations I’ve done using Paper by 53.
With “Slippery Slope,” I decided to take the kind of absurd notions put out by right-wing media and take them to illogical conclusions.